The Mariachi group Un Grupo de Mexicali are back in Mexico at the release of their latest song, Our Home Mexicali. They ended a very successful tour of mainly the Southwest with a few one night engagements up north. We had them stay over from their last show so we could record them before they left. We thought this was a large group, but Mariachis come in all sizes. This group that went on tour has 3 violins, 2 trumpets, 2 acoustic guitars, 1 Guitarrón, 1 Vihuela, and 3 vocalists that also play assorted instruments and percussion. Back at their home base in Mexicali they also have other musicians that fill in to enlarge the group for bigger occasions.
Mariachi playing Guitarrón
Guitarrón
The two instruments that may not be familiar to you are unique to Mariachi bands. The Guitarrón is the big, deep guitar that supplies the bass. It's name translates to large guitar in English. It has a very deep body with a relatively short neck with no frets. The strings are pulled, and the resultant sound is deep and rich, as well as being loud enough to carry the bass with the other instruments. It has 6 strings, 3 of them steel strings wound with either bronze, copper, or steel. The other 3 strings are nylon that are wound with nylon. String tension is very high, so there is a certain amount of effort to pull the strings with the right hand. The instrument provides the backbone of the Mariachi band as it supplies a steady bass beat pulse.
Vihuela
The Vihuela is similar to the Guitarrón in structure, only on a much smaller scale. The two instruments, along with the guitar, are thought of as being the rhythm section of the band. It is smaller than the guitar, and has 5 strings. The neck has frets made of nylon string tied tightly around it at the correct intervals. Its back is also convex, and as with the Guitarrón, the convex back helps the sound project throughout the band.The Vihuela seldom plays the melody, as it plays chords to support the rhythm and key of the music. The strings can be of different gauges and tensions to get the desired effect of the instrument in the music being played.
Mariachi playing Vihuela
If there's one thing we've learned here at Big And Tall Records, is that a good musician is a good musician, regardless of what kind of music they play. Music is a discipline, and most of our recordings have been a group effort with members in a band. We've come to appreciate them all!
Un Grupo Mexicali aren't due for another tour until late this year, so we'll look forward to having them record more songs for us then, maybe even talk them into coming to the States before then!
We miss our home Mexicali
Back in the Baja state
We love to play for you here
Back home we can't hardly wait
We love play for good people but
Our women folks miss us
We miss them very much too
But it's time we say adios
Mexicali se llama
La ciudad que capturó el sol
Conocemos a toda la gente, lugares
Mexicali es la única
Mexicali is called
The city that captured the sun
We miss all the people, places
Mexicali is the only one
Our tour has taken us far and wide
We see much your country we never see
All the audience have been muy bueno
We play for them happily
We greeted with honor wherever we go
Our cachanilla corazón* feel warm
We have felt welcome and safety
And never we get any harm
Mexicali is called
The city that captured the sun
We invite you all to come there
Mexicali is so mucho fun
You all come to Mexicali
We show you muy bueno time
We have a big fiesta!
We laugh, and sing, all the time
We shout
We laugh
We show you hospitality
Come! Come to Mexicali!
Mexicali is called
The city that captured the sun
We invite you all to come there
Mexicali is so mucho fun
*Cachanillas is a nickname for the residents of Mexicali.The term comes from the cachanilla shrub, which is also known as arrowweed. Corazón means 'heart'
Delmar Gentry has a lot to say about this special song he wrote for Marie Flores and her Mother Rosa:
One morning Marie was working in the kitchen cleaning up the breakfast dishes, and I noticed she was quietly crying. Marie is shy, so it took me a while for her to tell me. She hasn't seen her mother for a while, and she really misses her. We sat and talked, found out her Mother lived in Kingston, AZ, about 100 miles from Flagstaff. She hated to ask me for time off to go see her, so I suggested she would come here instead. There was plenty of room for her, there's 3 bedrooms in the house that aren't being used. She protested, said that I had done enough for her, she didn't want to impose. Amos came in the kitchen, and joined the conversation.
He's met Rosa, said she's a sweet lady, an older version of Marie, taught her how to cook and all kinds of other things. I could see Marie's eyes light up as he talked about her Mama, so I insisted she come here for a visit, as long as she wants. I offered to drive the big car, I don't remember what kind it is, a left over from my law days. I kept it because it's a real gun boat, holds a lot of people. Marie got excited, and I told her to go call her Mama and give us a day and time to pick her up.
Doyle and Blanche, the couple that used to own the ranch and that now have a house on some of the land, also have met Rosa, and told me that I'd like her, said the same thing Amos did, that she was an older version of Marie.
The day and time was set, and Marie got into the big car with me and we left. Marie had not been in the big car before, and she said it was like riding in a carriage of a queen! She was really out of her shell, and talked my ear off all the way to Kingston. We picked up Rosa, and they both sat in the back seat. They talked mostly in English, sometimes slipped into Spanish, but they'd always excuse themselves for doing so, as it was very rude!
Ended up Rosa stayed for two weeks, and she could have stayed longer as far as I was concerned. She was no trouble at all, and Marie like having her near. Marie had told me a lot of things about her life with her Mama on the trip to Kingston, so I started to work on a song about her. When I had a good start, I told Marie and asked her to help with some of the details. When she'd tell me some things, her eyes would tear up, especially when she talked about her Papa, who had died when she was 10 years old. The song went quickly, and I asked Marie if she would record it for her Mama. She wasn't sure she could get through it without crying, but that she would try.
I went all out for the recording session. Got some Mariachi musicians, plus a small string section. We rehearsed it quite a bit before we got it like we wanted it, and Marie did break down the first few times she tried to sing it. But eventually we got a track laid that was very good. The next day before supper, I invited everyone into my living room where I've got a nice stereo setup. I played the recording, and before it was over there wasn't a dry eye in the house! Rosa was very moved, hugged me and kissed me, as did Marie.
We had a nice little party afterwards, invited the musicians that played on the recording as well. I was very glad to be able to do it for her Mama, and for Marie as well!
It's no wonder Delmar's songs have been few and far between; he's writing songs for his extended family! Two songs for Marie and Amos Carter, another for Doyle! But he seems to be enjoying himself doing it, and we enjoy hearing the results!
Tugboat Jackson has made a name for himself here at Big And Tall Records with his songs that make you think. Songs of advice, and songs lamenting some parts of modern society. But he's not always a blues philosopher or social commentary songwriter. Tugboat had this to say about his latest:
My wife and I recently celebrated our 35th wedding anniversary! I told her we should celebrate, so we met our three kids and their families at a steakhouse we like to go to. Nothin' fancy, neither one of us are fancy people. Don't like expensive clothes and that kind of stuff. We do get a little offbeat with what we like to eat once in a while, but this night we both just wanted to spend time with our family and have a good steak.
We didn't buy each other anything, decided to take a little trip later when the weather's better. Our kids got us some nice things, a nice plaque with our picture and wedding date on it, some jewelry for my wife, and a new hat for me! After we finished with the meal, the place had a band playing after the meal service ended. My wife kind of wanted to leave after the meal, go back home. She's a real homebody, but I told her the kids are still here, we can't just run off! So we listened to the band, danced a little, then the lead singer told the audience I was in the house, and the crowd urged me to get up and sing. Now my wife loves my singin', but she knows once I get goin' it can take me a spell to stop! But I told her I promise that I'd sing only one song. She gave me that look, and I joined the band.
Well, it was all a set-up! I'd run through this song a few times with the band through the week, so we had it down well enough to let it rip! She was really surprised! I wanted to give her some sort of tribute for puttin' up with my ass for 35 years!
So Tugger gives us a short history of their life together. We congratulate the Jackson's on their longevity in a loving and successful marriage! He told us he kept his promise and sang only that song. They had a reception afterwards, and seems like a lot of people in town showed up for it!
Got somethin' to tell, I've been lucky as hell
In my life and all that I've done
The woman in my life, made her my wife
Best woman under the sun
Any trouble I got in, was there through thick and thin
Helped to prop me up
She's really a wiz, raised our three kids
Always kept filling my cup
But I don't wanna give you a line
Always hasn't been a great time
She's sometimes a witch, I'm a son of a bitch
But mostly we've pulled the same line.
Damn, I love ya baby
Dig ya really lots and lots
We got a good life, and I'm crazy
Cuz you still give me the hots!
She helped me run the store, helped me walk the floor
When I was just gettin' it started
She knew about the lumber, a wiz with all the numbers
Stuck with me never departed
Runnin' a hardware store, can sure be a bore
Sometimes I was a grouch
I'd come home frumpy, be really grumpy
And just collapse on the couch
We had three babies, two sons and a lady
She stayed home raisin' and cookin'
Kept all of us well fed, put the kids to bed
Then wiggled her ass for my lookin'
But man, sometimes it wasn't breezy
Wasn't a snap, wasn't easy
Wondered if it'd float, at each other's throat
Worked so hard we'd get queasy
Damn, I love ya baby
Dig ya really lots and lots
We got a good life, and I'm crazy
Cuz you still give me the hots!
We got older got tired, then we both retired
Sold the store, the kids all grown
I help out at the store, trackin' parts galore
The wife still cookin' and sewin’
But I'm the lucky one, sold the store to my son
My wife gets out to the garden hoein' (HAH)
We didn't know if whether, we could stand bein' together
So much after so many years
But it's been a blast, relivin' all our past
And all our gone careers
See our kids all the time
Got 4 Grandbabies mighty fine
We're lucky kids turned out well, we're thankful as hell
Melvin and The Boys offer up their latest, that sees them move away from their usual Classic Rock 'n Roll style to a more modern pop style. There's enough talent in this group that they can take up an opportunity to mix their style, despite the fact that there's been some personnel changes, some temporary, some maybe not so much.
Their regular keyboard player is still out with an illness, so Big Marv our resident piano wizard has been filling in. Now he's out with a bad infection in 2 fingers in his left hand. His doctor suggested he lay off the piano until they both heal with the help of antibiotics. He kept trying to play when he first noticed the pain and redness in the fingers. His doctor said that he should have came in for an appointment right off, as the infection may or may not have healed on its own. And worse case scenario, he could have lost the fingers, possibly his hand! So he's taking the doctors advice, (and we at Big And Tall Records read him the riot act to take care of his fingers!) keeping the hand in a sling, and taking IV antibiotics to hopefully get it cleared up faster. So perhaps the different sound with this recording is a result of not having a solid keyboard in the mix.
This recording was sent along to us here at Big And Tall Records by Delmar Gentry. Lately Delmar has been working with some of his employees on the horse ranch he bought that have talent. His housekeeper/cook Marie Flores has recorded a song that Delmar wrote and produced, and his head ranch hand Amos Carter has recorded two songs, co written by Amos and Delmar that Delmar plays piano on as well as producing them. He also wrote this song Told Ya That My Name Is Doyle, played the piano and produced it. We'll let him tell the rest of the story:
The recording session for the latest song we recorded of Amos Carter, Ain't Never Gonna Be Famous, was attended by a few folks from the ranch, as well as Doyle and Blanche Harseth, the couple I bought the horse ranch from not so long ago. Now originally, Doyle and Blanche were going to have a house built in town and move in there, but I offered to sell them back some land to build their house on so they could stay out here. They're both horse people, and we're boarding their horses at the ranch. They're country folk anyway, and they jumped at the chance to stay. Their house is all done, they're moved in and happy, and I'm happy to have 'em!
I've been practicing my honky tonk piano style on the upright piano in the studio, and Doyle's been bringing around a six pack every night to share. He likes to hear me play, and one night after we finished the six pack off, he told me he used to sing in the church choir for years since he was a kid. I checked his voice out, and considering he's in his 70's and used to be a heavy smoker, he's still got a semblance of a voice. We came up with the idea to change the lyrics of Amos' Ain't Never Gonna Be Famous song, and after a few nights of dinking around with it, we came up with Doyle's version. He had a lot of input with the words, while I pretty much improvised the music. We recorded it one night, just us two, about 2 in the morning. Everybody was surprised when we played it for them! Figured I'd send it a long for ya'll there to have a chuckle over!
Well, we got more than a chuckle out of it! Doyle's got a way with a song, so we decided to publish it! Doyle's got a voice deep as a foghorn in spots, and it's a good parody of Amos' song.
The Nude Polka Kings latest submission concerns subject matter that some may find offensive. Folks that happen to possess a prodigious derrière may take offense with the lyrics, despite some lyrics that assure they mean no offense. But this group doesn't seem to be worried about offending people. Any group that gets their name from their reputation of playing polka dances in the nude has got to be thick skinned, so maybe they think everyone else should be.We've got some ample-assed people working here at Big And Tall Records, and when we played the recording those folks laughed especially loud. So take it for what it's worth.
Let me say it right away,
I’ve got nothing against a fat ass
Doesn’t matter if it’s a boy or man
An older woman or a young lass
But from our vantage point
Watching over dancers loose
We just can’t help but notice
A BIG FAT CABOOSE!
The fat ass polka, bouncing to and fro
The fat ass polka, look at that thing go!
Wiggles like its made of something as a rubber ball
And makes a real soft cushion, if you take a fall!
Some folks got one naturally
Part of who they are
They even get some flattery
From lookers near and far
But some people work to get them
By eating lots of food
Drinking beer and eating noodles
And getting rather crude
The fat ass polka, shimmy and they shake
The fat ass polka, some cause an earthquake
Jiggly and blubbery, saggier than hell
Imagine when their pants drop, it stinks like hell!
If you’ve got a fat ass,
I mean you no offense
Do not mean to upset you
Or put you on defense
It must be very burdensome
Makes your life more hard
To carry what amounts to
A BIG CHUNK OF LARD!
The fat ass polka, gives off lots of heat
The fat ass polka, there's not much meat
Not like prime steak marbled, it’s not at all like that
There’s muscle there but deeply covered by thicknesses of FAT!
Be careful there!
Don’t bump butts!
The reverberations
Will bring the house down!
If you’ve got a fat sweaty ass,
I mean you no offense
Do not mean to upset you
Or put you on defense
It must be very burdensome
If you don't have a big belly
To counterbalance all that weight
With a huge ass made of jelly!
The fat ass polka, largest we've ever met
The fat ass polka, gives off lots of sweat
It trickles down their leg and then before its through
Another song from Amos Carter, ranch hand and leader of a band after hours. He works for Delmar Gentry on the horse ranch, and Delmar has been helping him write some songs as Amos' band is rehearsing, getting ready to play some gigs. They want some original material to play as well as the cover songs they do. We don't know for sure who does the writing of what with the songs. All Delmar tells us is that they work together. But if we'd have to guess, we'd say Delmar mostly does the music at least. He's got the formal training in it. Not that Amos is a slouch. He's been playing bass fiddle for many years, and grew up playing the cello.
Amos plunks out a steady bass, and Delmar plays some really good Honky Tonk piano. He told us he had to practice a lot to get the style down pat, as he never played much of it before. He got an old upright piano for the studio, as it just didn't sound right on a Steinway Grand.